Without any investment into the central relationship, it’s easy to focus on the myriad of flaws and curiosities that permeate the rest of the film. Time and again, Christian shows that he wants to possess Anastasia, and she treats it like a faux pas rather than the deep character flaw that it is. If your boyfriend comes with you somewhere, and introduces himself to your boss as, “I’m the boyfriend,” dump that guy. He’s emotionally abusive, rude, and insecure. Christian is a bad guy, and obviously so.
You can’t tell me that Anastasia is a strong, independent woman who makes her own choices and she’s with a guy as controlling, insecure, and domineering as Christian. It puts the kink front and center so that’s it a sex movie more than a love story, and while it fails at being sexy, Fifty Shades of Grey doesn’t pretend that there’s any romance between its two leads (which is good because Johnson and Dornan have zero chemistry).īy comparison, Fifty Shades Darker wants to convince us that there’s love between these two characters, and yet their personalities are out of sync. As bad as the first movie is (and it’s quite terrible), it doesn’t try to pass Christian off as a good dude. Elena was teased as a major figure in Christian’s life in the first movie, but the sequel doesn’t really seem to know what to do with her beyond a couple terse conversations with Anastasia.īut where Fifty Shades Darker really falls apart is in trying to sell us on the notion that Christian Grey should be with anybody. Leila pops up and then disappears for long stretches of the film.
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They feel like stuff that was in the novel, James demanded that they be included, and screenwriter Niall Leonard (who happens to be James’ husband) kind of tossed them in without any real idea on how to give them an impact.
However, these new subplots rarely emerge or make much of a difference in Anastasia and Christian’s relationship. Their rekindled relationship is made more difficult by the presence of Leila ( Bella Heathcote), one of Christian’s former subs who is stalking Anastasia, and by Elena ( Kim Basinger), the older woman who turned Christian on to kinky sex.
She reluctantly agrees, and although Christian remains as possessive and domineering as ever, she gently pushes back against his revolting personality. But Christian decides he can’t be without Anastasia, and resolves to give her the “vanilla” relationship she wants if they can be together again. Rather than creating a unique love story, Fifty Shades Darker seems like it hates just about everyone.Īt the end of Fifty Shades of Grey, Anastasia Steele ( Dakota Johnson) left Christian Grey ( Jamie Dornan) after his BDSM kink became too violent for her to handle. James’ novel tries to pass off a completely toxic relationship as something healthy and profound, and instead it just makes the audience either laugh or cringe. If you thought it couldn’t get any worse, you were wrong, because we now have Fifty Shades Darker, which exacerbates the problem by trying to forge a romantic relationship between two characters who have no business being together. Fifty Shades of Grey was a kinky sex movie that was neither kinky nor sexy, and featured an abysmal lack of chemistry between its two leads.
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